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Workshops with Pampa Cortes

Argentine Tango for Ballroom Dancers

Saturday, Septmeber 10  -  12:00-1:15
Intro to Argentine Tango Basics: Why Argentine Tango Isn’t a Ballroom Dance (Intro)
Walking, posture, weight transfer, the embrace, partnering – all taught in the context of common basic figuras. This workshop covers the details that make tango Argentine.

Saturday, September 10   -  1:30-2:45
Ochos – Forwards & Backwards (Beg)
These standard figure-eight movements allow women to shine and men like to lead them. Well-executed ochos are integral to any tango dancer’s repertoire and are a base for more complicated moves.

Sunday, September 11   -  12:00-1:15
Molinetes – Dancing in Circles (Interm)
These are figuras where the woman dances in a circle around her partner. It’s a logical extension of the Ochos class. Medio molinetes & full molinetes will be covered. Good for leaders who like a bit of a challenge.

Sunday, September  11  - 1:30-2:45
Dancing Well to the Music (Interm)
Expressing your dance artistry is directly influenced by how you listen to the music. This workshop allows you to play with a few basic sequences, adapting them to different styles of Argentine tango music. It’s also a quick overview of different tango eras.

Sunday, September  11  -   3:00-4:15
Vals Cruzado – Argentine Tango’s Waltz Cousin (Beg/Interm)
Learn to dance the waltz in a distinctly Argentine way. Vals Cruzado (crossed waltz) is easily picked up by someone with any kind of waltz experience. This is the perfect example of ‘same but different’.
 
All workshops will be at Washington Dance Club 1017 Stewart Street.  (corner of Stewart and Boren)
$25 for one class and $20 for evey class after the first one.
 
 

pampa.jpg

 

Dancer and choreographer of international renown, Pampa Cortés, "whose experience puts him in the same class as the great maestros of Argentine dance…" (Danza Hoy), hails from the Argentine province of Santiago del Estero. At age 15, he embarked on a professional career that has spanned five decades and on which he draws to create dance magic all over the world.

 

Cortés initially studied and performed with master folk dancers such as Mario Machaco y Norma Rey, the Malón Ballet, and with Santiago Ayala "El Chúcaro" and Norma Viola, the creators of modern folkoric stage performance. As a member of the Victor Rayo Ballet, he performed in the movie "El Pájaro Loco" with the great Toro Santiageño. He partnered Celia Queiros in her famous company for two years. With his own company Ballet Pampa, he was invited to present in the most prestigious folkloric festival in Argentina at Cosquín, performing to great acclaim. He has worked alongside such folkloric music greats Los Chalchaleros, Los Fronterisos, Horacio Guaraní, y los Hermanos Abalos.

 

While in his twenties, Pampa was invited to dance in the famous tango Ballet of Juan Carlos Copes. He performed for six years and achieving the post of assistant choreographer. He directed the folkloric & tango company that performed for Argentine TV's "Grandes Valores del Tango". His tango credits include roles in the best houses in Buenos Aires: La Ventana, El Viejo Almacén, Taconeando, La Carreta, Caño 14, and as principal dancer at La Casa de Carlos Gardel. He has worked with many masters of tango music including Alfredo De Angeles, Horacio Salgán, Libertad Lamarque, Roberto Rufino, Mariano Mores, Los Solistas de D'Arienzo, Carlos Acuña, Roberto Goyeneche, Nely Omar, Sexteto Mayor, Sexteto Canyengue, and Enrique Cadícamo (Carlos Gardel's lyricist).

 

Cortés brought his formidable dance skills to the United States with the international tour of "Tango Revue" in Miami for which he was choreographer. He then toured the US for more than two years with the stage hit "Forever Tango". Cortés settled in San Francisco, California; founding and directing "Los Tangueros de San Francisco" (tango), and Pampa y Estrellas (malambo). Both groups were audience favorites in the San Francisco Ethnic Dance Festival, the acknowledged leader of ethnic dance presenters in the U.S. He now directs and trains a new generation of young dancers in his reprised group, Ballet Pampa Argentina.

 

It is in San Francisco, California that Pampa Cortés formed his own company, Tango A Media Luz, through which he presented full-length stage shows in various West Coast cities. Cortés likes to juxtapose the sophisticated tango and the energetic folkloric dances and malambo rhythms to share the multifaceted and rich Argentine spirit. His creations include ¡Así Se Baila el Tango!, ¡Argentina! Tango & Malambos, Destino de Tango, Fantasía Argentina, and in Houston, Texas: "The Americas in Dance & Song". He created works as guest choreographer for Khadra International Dance Theatre and Carolina Lugo's Brisas de España, and for the 2011 San Francisco theater production "Fabulation" as guest choreographer.

 

Maestro Cortes is Artist in Residence for Tango & More Argentine Dance in San Francisco, California. In collaboration with Tango & More, Cortés hosted his own tango congress in Houston, Texas, May 2010, "Pampa Cortes presents Memorial Day Argentine Tango Festival". Participants from all over the United States studied with top-level faculty from Argentina and the U.S.

 

Maestro Cortés shares his experience as a performer, choreographer, director, and teacher with audiences and students in the US, Canada, France, Germany, Holland, Belgium, Switzerland, Spain, Japan, and in several Central & South American countries. He directed and performed in "Alma de Tango de Pampa Cortes" in Guatemala City for the prestigious ArteCentro Cultural Graciela Andrade de Paiz.

 

Pampa Cortés' clean footwork and elegant masculinity have inspired thousands of people. Pampa's presence in the international press, his extensive work for Japanese TV, his photos in tango books and on CD covers, including his photo on the back cover of the hit CD "Tango" by Julio Iglesias, have made him recognizable by millions. His long, prosperous career and large body of artistic work confirm Pampa Cortés as a dance legend, who continues to share his love of Argentine dance with the world.

 

Gigi's brief bio:

 

Colombian-born Patricia “Gigi” Jensen grew up in Seattle and now lives in the San Francisco, CA area. She has danced Argentine tango for over 14 years with additional studies in other dance disciplines. She has taught Argentine tango for six years in the San Francisco area with her husband, Warren, as a guest lecturer at several universities, and several times in Guatemala as a guest artist. She assists Pampa Cortés teaching weekly classes and in giving guest workshops in Seattle, Portland, Houston, Sacramento, and Santa Barbara.

 

Ms. Jensen performs in Ballet Pampa Argentina and as Pampa Cortes’ fokloric dance partner. She founded DanzArgentina, a community level performance group, and directed and choreographed her first stage production “Argentina Dances” in January 2009. She created and performs in a program that presents Argentine dance & music programs in schools and senior communities. She founded Tango A Media Luz (1998-2006) with Cortés, and went solo with Tango & More Argentine Dance (2006 to date).

 

Workshops with Mirabai and Marcelo

Sept 16th-18th


Location: Sonny Newman's Dance Hall


Registration:  Register at first class attended.  $25 first class; $20 each class thereafter.  $125 for all 7 classes.  Cash or check only.  All classes will be held at Sonny Newman’s Dance Hall. 201 N. 85th Street, Seattle’s Greenwood District (entrance upstairs)


Fri. 16 

7:30 - 9:00        Salon to Stage and Back Again


Sat. 17 

12:00 - 1:30       Dynamics and Changes

 2:00 - 3:30        Milonga

 4:00 - 5:30        What Did You Say?


Sun. 18

3:00 - 4:30        Walk Like A Tanguero

5:00 - 6:30        Tango GPS

7:00 - 8:30        Tangled Tango



Workshop descriptions:

Salon to Stage and back again
How do we get the most out of our Tango? How do we take a simple step and make it look impressive? What about all those fancy figures we learn that we can never dance at a real milonga? This workshop focuses on being able to reduce movement to it's purest form, allowing you to fit it into the tightest of spaces, as well as transform a salon style step into an impressive figure, worthy of the stage. 

Dynamics and Changes
A, B, C, D.     A     BC  D.     AB    CD. When we know how to change the dynamics of a step, and react quickly to any lead, a whole world opens up. You don't have to spend hours and hours learning endless figures and trying to remember them. You can take a simple figure you know and apply this concept. The combination will result in countless variations that will be enough to keep any lady on her toes.

Milonga
Milonga can be so much fun. It's so playful, so entertaining, and so darn fast sometimes! We'll work on how to get the feet moving, and in the right direction too. We'll explore exercises that help shape and polish footwork so that your milonga comes out looking sharper and crisper.

What did you say?
Communication is the key. He leads, she follows, he responds. The dance evolves as a dialog between two people. It's not all about him coming up with enough ideas to entertain her throughout the entire tanda. Although that's nice, the best is when they dance together; both contributing and listening to each other as they create new moments together.

Walk like a Tanguero
The caminata, or walk, in Tango is something that can work for you, or against you. It has the ability to connect you to your partner and the music. As the years go by, people tend to notice how important it is to feel comfortable with la caminata. We will work on the basics in this workshop to help develop the feeling that you always have something to fall back on, something that will always be there for you as you deepen your journey with Tango.

Tango GPS
If you've ever feel stuck on the dance floor, where there was nowhere to go, you can usually get out of such situations by using some of the following: simple turns, hamacas and weight changes. There are a few tricks leads and follows can learn to help them manage a crowded dance floor or simply help enhance the quality of their dancing.

Tangled Tango
When looking at a skilled couple dance, it feels like your witnessing magic. How are they doing all of that and not tripping each other? This workshop has a beautiful figure. It's intricate, complex enough that when it comes out correctly, you feel as though you've really accomplished something. We'll work on making it flow with ease, allowing it's elegance to manifest in each of the students.


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Seattle Tango Cabaret is Sept. 9 and 10. follow this link for tickets.

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